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Alice's Restaurant
Arlo Guthrie

CHORUS:
You can get anything you want at Alice's restaurant
You can get anything you want at Alice's restaurant
Walk right in, it's around the back
Just a half a mile from the railroad track
You can get anything you want at Alice's restaurant
RECITATION:
This song is called Alice's Restaurant. It's about Alice, and the
restaurant, but Alice's Restaurant is not the name of the restaurant,
that's just the name of the song. That's why I call the song Alice's
Restaurant.

Now it all started two Thanksgivings ago... two years ago, on Thanksgiving,
when my friend and I went up to visit Alice at the restaurant.

But Alice doesn't live in the restaurant, she lives in the church nearby the
restaurant, in the bell tower with her husband Ray and Facha, the dog.

And livin' in the bell tower like that, they got a lot of room downstairs
where the pews used to be, and havin' all that room (seein' as how they took
out all the pews), they decided that they didn't have to take out their
garbage for a long time.

We got up here and found all the garbage in there and we decided that it'd
be a friendly gesture for us to take the garbage down to the city dump.

So we took the half-a-ton of garbage, put it in the back of a red VW
microbus, took shovels and rakes and implements of destruction, and headed
on toward the city dump. Well, we got there and there was a big sign and a
chain across the dump sayin', This dump is closed on Thanksgiving, and
we'd never heard of a dump closed on Thanksgiving before, and with tears in
our eyes, we drove off into the sunset lookin' for another place to put the
garbage.

We didn't find one till we came to a side road, and off the side of the side
road was another fifteen-foot cliff, and at the bottom of the cliff was
another pile of garbage. And we decided that one big pile was better than
two little piles, and rather than bring that one up, we decided to throw
ours down. That's what we did.

Drove back to the church, had a Thanksgiving dinner that couldn't be beat,
went to sleep, and didn't get up until the next morning, when we got a phone
call from Officer Obie. He said, Kid, we found your name on a envelope at
the bottom of a half a ton of garbage and I just wanted to know if you had
any information about it.

And I said, Yes sir, Officer Obie, I cannot tell a lie. I put that envelope
under that garbage. After speakin' to Obie for about forty-five minutes on
the telephone, we finally arrived at the truth of the matter and he said
that we had to go down and pick up the garbage, and also had to go down and
speak to him at the Police Officer Station. So we got in the red VW microbus
with the shovels and rakes and implements of destruction and headed on
toward the Police Officer Station.

Now, friends, there was only one of two things that Obie could've done at
the Police Officer Station, and the first was that he could've given us a
medal for bein' so brave and honest on the telephone (which wasn't very
likely, and we didn't expect it), and the other thing was that he could've
bawled us out and told us never to be seen drivin' garbage around in the
vicinity again, which is what we expected.

But when we got to the Police Officer Station, there was a third possibility
that we hadn't even counted upon, and we was both immediately arrested,
handcuffed, and I said, Obie, I can't pick up the garbage with these here
handcuffs on. He said: Shut up kid, and get in the back of the patrol
car.

And that's what we did . . . sat in the back of the patrol car, and drove to
the quote scene of the crime unquote.

I wanna tell you 'bout the town of Stockbridge, Massachusetts, where this is
happenin'. They got three stop signs, two police officers, and one police
car, but when we got to the scene of the crime, there was five police
officers and three police cars, bein' the biggest crime of the last fifty
years and everybody wanted to get in the newspaper story about it.

And they was usin' up all kinds of cop equipment that they had hangin'
around the Police Officer Station. They was takin' plaster tire tracks,
footprints, dog-smellin' prints and they took twenty-seven 8 x 10 colored
glossy photographs with circles and arrows and a paragraph on the back of
each one explainin' what each one was, to be used as evidence against us.
Took pictures of the approach, the getaway, the northwest corner, the
southwest corner . . .
and that's not to mention the aerial photography!

After the ordeal, we went back to the jail. Obie said he was gonna put us in
a cell.

He said: Kid, I'm gonna put you in a cell. I want your wallet and your
belt.
I said, Obie, I can understand your wantin' my wallet, so I don't have any
money to spend in the cell, but what do you want my belt for? and he said,
Kid, we don't want any hangin's. I said, Obie, did you think I was gonna
hang myself for litterin'?

Obie said he was makin' sure, and, friends, Obie was, 'cause he took out the
toilet seat so I couldn't hit myself over the head and drown, and he took
out the toilet paper so I couldn't bend the bars, roll the toilet paper out
the window, slide down the roll and have an escape. Obie was makin' sure.

It was about four or five hours later that Alice--(remember Alice? There's a
song about Alice.)--Alice came by and, with a few nasty words to Obie on the
side, bailed us out of jail, and we went back to the church, had another
Thanksgiving dinner that couldn't be beat, and didn't get up until the next
morning, when we all had to go to court. We walked in, sat down, Obie came
in with the twenty-seven 8 x 10 colored glossy pictures with the circles and
arrows and a paragraph on the back of each one, sat down.

Man came in, said, All rise! We all stood up, and Obie stood up with the
twenty-seven 8 x 10 colored glossy pictures, and the judge walked in, sat
down, with a seein' eye dog and he sat down. We sat down.

Obie looked at the seein' eye dog . . . then at the twenty-seven 8 x 10
colored glossy pictures with the circles and arrows and a paragraph on the
back of each one . . . and looked at the seein' eye dog . . . and then at
the twenty-seven 8 x 10 colored glossy pictures with the circles and arrows
and a paragraph on the back of each on and began to cry.

Because Obie came to the realization that it was a typical case of American
blind justice, and there wasn't nothin' he could do about it, and the judge
wasn't gonna look at the twenty-seven 8 by 10 colored glossy pictures with
the circles and arrows and a paragraph on the back of each one explainin'
what each one was, to be used as evidence against us.

And we was fined fifty dollars and had to pick up the garbage... in the
snow.

But that's not what I'm here to tell you about.

I'm here to talk about the draft.

They got a buildin' down in New York City called Whitehall Street, where you
walk in, you get injected, inspected, detected, infected, neglected and
selected!

I went down and got my physical examination one day, and I walked in, sat
down (got good and drunk the night before, so I looked and felt my best when
I went in that morning, 'cause I wanted to look like the All-American Kid
from New York City. I wanted to feel like . . . I wanted to be the
All-American Kid from New York), and I walked in, sat down, I was hung down,
brung down, hung up and all kinds of mean, nasty, ugly things.

And I walked in, I sat down, they gave me a piece of paper that said: Kid,
see the psychiatrist in room 604.

I went up there, I said, Shrink, I wanna kill. I wanna kill! I wanna see
blood and gore and guts and veins in my teeth! Eat dead, burnt bodies! I
mean: Kill. Kill!

And I started jumpin' up and down, yellin' KILL! KILL! and he started
jumpin' up and down with me, and we was both jumpin' up and down, yellin',
KILL! KILL! KILL! KILL! and the sergeant came over, pinned a medal on me,
sent me down the hall, said You're our boy. Didn't feel too good about it.

Proceeded down the hall, gettin' more injections, inspections, detections,
neglections, and all kinds of stuff that they was doin' to me at the thing
there, and I was there for two hours... three hours... four hours... I was
there for a long time goin' through all kinds of mean, nasty, ugly things,
and I was just havin' a tough time there, and they was inspectin',
injectin', every single part of me, and they was leavin' no part untouched!

Proceeded through, and I finally came to see the very last man. I walked in,
sat down, after a whole big thing there. I walked up, and I said, What do
you want? He said, Kid, we only got one question: Have you ever been
arrested?

And I proceeded to tell him the story of Alice's Restaurant Massacree with
full orchestration and five-part harmony and stuff like that, and other
phenomenon.

He stopped me right there and said, Kid, have you ever been to court? And
I proceeded to tell him the story of the twenty-seven 8 x 10 colored glossy
pictures with the circles and arrows and a paragraph on the back of each one
. . .

He stopped me right there and said, Kid, I want you to go over and sit down
on that bench that says 'Group W'.

And I walked over to the bench there, and there's... Group W is where they
put you if you may not be moral enough to join the army after committin'
your special crime.

There was all kinds of mean, nasty, ugly-lookin' people on the bench there .
. . there was mother-rapers . . . father-stabbers . . . father-rapers!
FATHER-RAPERS sittin' right there on the bench next to me! And they was mean
and nasty and ugly and horrible and crime fightin' guys were sittin' there
on the bench, and the meanest, ugliest, nastiest one . . . the meanest
father-raper of them all . . . was comin' over to me, and he was mean and
ugly and nasty and horrible and all kinds of things, and he sat down next to
me. He said, Kid, what'd you get?

I said, I didn't get nothin'. I had to pay fifty dollars and pick up the
garbage.

He said, What were you arrested for, kid? and I said, Litterin'' . . . .
And they all moved away from me on the bench there, with the hairy eyeball
and all kinds of mean, nasty things, till I said, And creatin' a nuisance .
. . And they all came back, shook my hand, and we had a great time on the
bench talkin' about crime, mother-stabbin', father-rapin', . . . all kinds
of groovy things that we was talkin' about on the bench, and everything was
fine.

We was smokin' cigarettes and all kinds of things, until the sergeant came
over, had some paper in his hand, held it up and said:
KIDSTHISPIECEOFPAPERSGOTFOURTYSVENPAGESTHIRTYSEVENSENTENCESFIFTYEIGHTWORDSWEWANTTOKNOWTHEDETAILSOFTHECRIMETHETIMEOFTHECRIMEANDANYOTHERKINDOFTHINGYOUGOTTOSAYPERTAININGTOANDABOUTTHECRIMEWEWANTTOKNOWTHEARRESTINGOFFICERSNAMEANDANYOTHERTHINGYOUGOTTOSAY
. . .

And he talked for forty-five minutes and nobody understood a word that he
said.

But we had fun fillin' out the forms and playin' with the pencils on the
bench there.

I filled out the Massacree with the four-part harmony. Wrote it down there
just like it was and everything was fine. And I put down my pencil, and I
turned over the piece of paper, and there . . . on the other side . . . in
the middle of the other side . . . away from everything else on the other
side . . . in parentheses . . . capital letters . . . quotated . . . read
the following words: Kid, have you rehabilitated yourself?

I went over to the sergeant. Said, Sergeant, you got a lot of god-damned
gall to ask me if I've rehabilitated myself! I mean . . . I mean . . . I
mean that you send . . . I'm sittin' here on the bench . . . I mean I'm
sittin' here on the Group W bench, 'cause you want to know if I'm moral
enough to join the army, burn women, kids, houses and villages after bein' a
litterbug.

He looked at me and said, Kid, we don't like your kind! We're gonna send
your fingerprints off to Washington!

And, friends, somewhere in Washington, enshrined in some little folder, is a
study in black and white of my fingerprints.

And the only reason I'm singin' you the song now is 'cause you may know
somebody in a similar situation.

Or you may be in a similar situation, and if you're in a situation like
that, there's only one thing you can do:

Walk into the shrink wherever you are, just walk in, say, Shrink, . . . you
can get anything you want at Alice's Restaurant, and walk out.

You know, if one person, just one person, does it, they may think he's
really sick and they won't take him.

And if two people do it, in harmony, they may think they're both faggots and
they won't take either of them.

And if three people do it! Can you imagine three people walkin' in, singin'
a bar of Alice's Restaurant and walkin' out? They may think it's an
organization!

And can you imagine fifty people a day? I said FIFTY people a day . . .
walkin' in, singin' a bar of Alice's Restaurant and walkin' out? Friends,
they may think it's a MOVEMENT, and that's what it is: THE ALICE'S
RESTAURANT ANTI-MASSACREE MOVEMENT! . . . and all you gotta do to join is to
sing it the next time it comes around on the guitar.

With feelin'.

CHORUS


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Lyrics by Arlo Guthrie

  1913 Massacre   A Little A This N That   Alice's Restaurant Massacre   Alice's Restaurant Massacree   Alice's Rock & Roll Restaurant   Alice's Restaurant   Alice's Rock & Roll Restaurant   All Over the World   All This Stuff Takes Time   Anytime   Bling Blang   Buffalo Gals   Buffalo Skinners   Carry Me Over   Children Of Abraham   Chilling of the Evening   City of New Orleans   Coming Into Los Angeles   Connection   Cooper's Lament   Cooper's Lament   Cowboy Song   Darkest Hour   Days Are Short   De Colores   Dead Or Alive   Deportees   Deportees (Plane Wreck at Los Gatos)   Doors of Heaven   Drowning Man   Eli   Epilogue   Evangelina   Every Hand In The Land   Face Of Time   Fence Post Blues   Gabriel's Mother's Highway Ballad #16   Gabriel's Mother's Hiway Ballad #16 Blues   Gabriel's Mother's Highway Ballad #16   Garden Song   Gates of Eden   Give It All You Got   Grocery Blues   Guabi, Guabi   Gypsy Davey   Hard Times   Here We Are/Way Out In The Country   Here We Are\/Way Out In The Country   Highway In the Wind   Hobo's Lullaby   Hobo's Lullaby   I Could Be Singing   I Ride an Old Paint   I Ride On Old Pain   I Want To Be Around   I'll Be With You Tonight   I'm Changing My Name To Chrysler   I'm Going Home   I've Just Seen a Face   I'll Be With You Tonight   I'm Changing My Name To Chrysler   I'm Going Home   I've Just Seen A Face   If I Could Only Touch Your Life   If You Would Just Drop By   Introduction   Jacob's Ladder   Jacob's Ladder   Jamaica Farewell   John Looked Down   Last Night I Had The Strangest Dream   Last To Leave   Last Train   Lay Down Little Doggies   Lightning Bar Blues   Little Beggar Man   Little Beggarman   Living In the Country   Living Like a Legend   Lord Grenville   Lovesick Blues   Major Blues   Manzanillo Bay   Massachusetts   Me and My Goose   Meditation (Wave Upon Wave)   Miss the Mississippi and You   Moon Song   Mother The Queen Of My Heart   Motorcycle Song   My Creole Belle   My Front Pages   My Love   Mystic Journey   Nostalgia Rag   Now and Then   Ocean Crossing   Oh Mom   Oh, In The Morning   Oklahoma Hills   Oklahoma Nights   One Night   Patriot's Dream   Patriot's Dream   Percy's Song   Percy's Song   Power Of Love   Presidential Rag   Prologue   Ramblin' Round   Ramblin' Round   Red River Valley   Ridin' Down the Canyon   Ridin' Down The Canyon   Ring Around-A-Rosy Rag   Ring-Around-A-Rosy Rag   Ring-Around-A-Rosy-Rag   Running Down The Road   Russian Girls   Sailing Down This Golden River   Satellite   Shackels And Chains   Shackles and Chains   Slow Boat   Solo Le Pido A Dios   Somebody Turned On the Light   Someday   Stairs   Standing at the Threshold   Stealin'   Story of Reuben Clamzo & His Strange...   Story of Reuben Clamzo & His Strange...   Streets of Laredo   Telephone   Tennessee Stud   The City of New Orleans   The Gal I Left Behind   The Motorcycle Song   The Motorcycle Song (in album Arlo)   The Motorcycle Song (The Significance Of The Pickl...   The Motorcyle Song   The Pause of Mr. Claus   The Ross Perot Guide To Answering Embarassing Ques...   The Sinking of the Reuben James   This Land Is Your Land   This Troubled Mind of Mine   Try Me One More Time   Ukulele Lady   Uncle Jeff   Under Cover of Night   Underground   Unemployment Line   Union Maid   Utah Carroll   Valley To Pray   Victor Jara   Wabash Cannonball   Waimanalo Blues   Wake Up Dead   Walking Song   Wedding Song   Wheel of Fortune   When a Soldier Makes It Home   When I Get To The Border   When The Cactus Is In Bloom   When The Ship Comes In   Where Have All The Flowers Gone   Which Side   Won't Be Long   Won't Be Long   Woody's Rag/hard Work   Woody's Rag\/Hard Work   Woody's Rag/hard Work   World Away From Me   Wouldn't You Believe It   Wouldn't You Believe It   You and Me   You Are the Song

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